Chief Chat: Cherokee Nation Opening Doors to Film and Television

Osiyo,

Not very long ago, Native Americans were hard to find in the film industry. Even when a Native character appeared on screen, they were often portrayed by actors who did not come from Native communities. With some notable exceptions, Native writers, directors and other creative talent were even more rare. Stories were told about us, but they weren’t our stories.

Thankfully, this is now changing, and the change also brings great economic opportunities for Oklahoma and the Cherokee Nation. With a wealth of cultural heritage, talented workforce and diverse locations, Oklahoma is quickly becoming one of the most desirable states for the film and television industry.

As the industry continues to bloom, Cherokee Nation will remain at the forefront of the sector’s growth. We are opening doors to make it possible for Oklahomans to train and work locally while pursuing their dreams in all types of positions, including screenwriting, filmmaking, on-screen talent, behind-the-scenes crew, production and much more. We are working alongside multiple tribal entities, the Oklahoma Department of Commerce, the Oklahoma Film + Music Office, the Tulsa Office of Film, Music, Arts & Culture, regional and statewide film festivals, and more to support this quickly expanding industry.

In our most recent collaboration, the Cherokee Nation Film Office has partnered with OSU-Tulsa to help expand film education. I am excited that construction will soon begin on the Cherokee Nation Community Film Lab located at the OSU-Tulsa campus.

The film lab will create a new, state-of-the-art, hands-on learning experience at OSU-Tulsa, help expand its noncredit offerings into a for-credit film program and, most importantly, provide Native and non-Native students with unique and artistic career opportunities right here in Oklahoma. In partnership with the university, we are helping fund necessary film equipment, including cameras, lenses, sound gear, lighting and other film essentials, as well as post-production necessities such as computers and software.

This is another great example of a tribal nation collaborating with a state government entity to achieve a win-win for all Oklahomans. Like with the OSU College of Osteopathic Medicine at the Cherokee Nation, this type of educational and workforce development partnership can accomplish a huge amount in a short time.

As the state’s film and television industry has grown at a record-breaking pace, we’ve experienced many firsts brought to us by tribal citizens and other independent and local filmmakers. We’ve seen famous actors, directors and worldwide studios make our hometowns the sets of major motion pictures and television series. The Oklahoma Department of Commerce estimates that the film and music industries have already created more than $160 million impact statewide. In the past six years, more than 125 cities and more than 50 counties in Oklahoma have hosted film locations.

Cherokee Nation and its businesses remain deeply invested in bringing innovation and new industries into our region to create good jobs for our citizens and our neighbors. This exciting entertainment boom adds the film and television industry with other solid business sectors, such as aerospace and advanced manufacturing, to our diverse economic mix.

The growing Native presence in the film and television industry also helps ensure that Indigenous people are able to share authentic Indigenous stories and represent ourselves to the wider world. To help open even more doors, we are providing several filmmaking scholarships for tribal citizens at OSU-Tulsa.

I look forward to the day when people all over the world think of Oklahoma and the Cherokee Nation, they will think of the Native performers, writers, directors, composers, and other talented artists and craftspeople who have told our stories on a global stage.

Chuck Hoskin Jr.
Principal Chief

About Cherokee Film

The mission of Cherokee Film is to reclaim Cherokee and Native narratives by increasing representation across film and media while creating an ecosystem that supports production and drives economic activity in the Cherokee Nation.

Cherokee Film is owned by Cherokee Nation Businesses, the board-governed holding company of the largest Native American tribe in the U.S. One-hundred percent of the company’s profits support future business investments and the well-being of the tribe’s citizens through health care, education and job creation, ensuring better lives for Cherokees today and tomorrow.

For more information, please visit Cherokee.film or follow Cherokee Film on Facebook, XYouTube and Instagram.

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Michael Musante

Film & TV Finance and Development Executive

Michael is the executive in charge of film and TV finance and development at Cherokee Film. Prior to that, he was vice president of film production and acquisitions at American Zoetrope for more than seven years and a co-founder, along with Roman Coppola, of The Decentralized Pictures Foundation, a 501(c)(3) nonprofit dedicated to supporting independent filmmaking and filmmakers from underserved and underrepresented communities. He continues to serve on its board. He is an attorney, admitted to practice in New York and North Carolina, and received his Bachelor of Arts from Duke University and his law degree from the University of Michigan Law School in 2001. He practiced law for 10 years before becoming a full-time creative film producer. He has worked closely with such accomplished filmmakers as Roman Coppola, Sofia Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos and Richard Chew before and during his time at American Zoetrope. During his tenure at American Zoetrope, he oversaw the development and production of several feature films: Gia Coppola’s “Mainstream,” starring Andrew Garfield, Maya Hawke, Nat Wolff and Jason Schwartzman; “Fairyland,” starring Emilia Jones and Scoot McNairy; as well as the production of “The Outsiders” musical, which debuted on Broadway at the Bernard Jacobs Theatre on April 11, 2024.

Todd Roberts

Soundstage Manager

Todd Roberts serves Cherokee Film as soundstage manager. He has more than 35 years of experience as a photographer and filmmaker. He is multi-passionate in skills and subject matter. He’s created more than 400 episodes of documentary-style television shows (“Doomsday Preppers,” “Man vs. Food Nation,” “Safari Hunter’s Journal,” “House Hunters International” and more) produced in 22 countries and airing nationally. Todd’s commercial films have served his clients well (American Express, Audi, Freightliner Trucks, Volkswagen, United Way, Walmart and many more). Todd’s productions have received numerous accolades (Addy Awards, Communicator Awards, Flame Awards, ITVA Awards, Summit Awards, Telly Awards, as well as awards from film festivals). While his skills and interests are broad, Todd’s overarching theme is the art of storytelling.

Maggie Cunningham

Pawnee Nation

Film Commissioner

Maggie Cunningham (Pawnee Nation) is a Regional Emmy-winning producer and the Cherokee Film Commissioner. Before joining the OsiyoTV team, Maggie worked in the museum and cultural heritage field. Her previous roles included positions as an archivist and tribal NAGPRA coordinator. She also spent time as a project manager for several Native-owned consultation and media production firms. She saw firsthand the impact an Indigenous narrative can have on a community during her time researching at Te Papa Tongarewa, the National Museum of Aotearoa (New Zealand). She continued to cultivate this focus in her years of cultural heritage work and storytelling. Her experience working within Native communities here in Oklahoma has only solidified her drive to tell authentic Native-led stories with the power and impact of film. Maggie holds a bachelor’s degree from Dartmouth College in studio art and Native American studies. She earned her Master of Arts from New York University. Maggie resides in Tulsa with her family.

Hannah Roark

Cherokee Nation

Film & TV Development Specialist

Hannah Roark holds a Master of Fine Arts in screenwriting from Florida State University’s College of Motion Picture Arts and graduated with highest distinction from the University of Kansas, where she earned her bachelor’s degree with honors in English. She joined the Cherokee Film team in July 2022. Her prior film production experience includes work as an office production assistant, director’s assistant, production coordinator and associate producer. When she’s not at work, Hannah is writing screenplays, TV pilots, or collaborating in writers’ groups. She believes that every good story can be a great one.