Cherokee Nation Film Office, OSU-Tulsa Partner In Expanding Film Education

TULSA, Okla. – The Cherokee Nation Film Office and Oklahoma State University-Tulsa are partnering to build educational opportunities and support Oklahoma’s rapidly expanding film industry.

OSU-Tulsa is currently expanding its public, noncredit workshops for screenwriting, filmmaking and production skills with a for-credit film program in development that will create a new, state-of-the-art, hands-on learning experience at OSU-Tulsa.

“Film and television production is one of the most promising and rapidly growing industries in the state of Oklahoma,” said Cherokee Nation Principal Chief Chuck Hoskin Jr. “We are determined to ensure Cherokee Nation continues to offer every element for success, especially a diverse and driven workforce. That is absolutely necessary to support the industry’s growing needs.”

He said the partnership will better provide tribal citizens with artistic and career opportunities to represent the Cherokee Nation and to develop unique stories.

“As film and television productions continue to choose Oklahoma for their projects, we want them to have an experienced workforce to hire from here in Tulsa,” said Dr. Johnny Stephens, interim president of OSU-Tulsa and president of the OSU Center for Health Sciences. “Our noncredit workshops and our future plans for film programming are focused on being hands-on and pragmatic as well as academic.”

In partnership with the university, Cherokee Nation Film Office is helping fund necessary film equipment, including cameras, lenses, sound gear, lighting and other film essentials, as well as post-production necessities such as computers and software to help expand the college’s film program.

“Screen studies, along with Native American Studies, is a strong area in our English department, so my colleagues and I are excited about the opportunity to add new courses in film production and screenwriting in Tulsa. In addition, our colleagues in Media and Strategic Communications have a new entertainment media degree option, so we look forward to collaborating to serve students and the community,” said Lindsey Smith, Director of the Center for Poets and Writers at OSU-Tulsa. “We have so many art institutions in the city to partner with, as well as a variety of industry professionals who are interested in sharing their experience and building the local workforce. And of course, we are so grateful for the many ways that the Cherokee Nation remains a strong partner of Oklahoma State University.”

The tribe and its film office are also partnering with the university to provide several scholarships for noncredit filmmaking workshops. The assistance is available to any citizen of a federally recognized tribe.

“Oklahoma’s television and film production industries continue to grow at an exceptional pace, and we are pleased to serve a role in helping educate, prepare and connect a workforce capable of supporting that growth,” said Jennifer Loren, director of Cherokee Nation Film Office and Original Content. “We are very proud to partner with OSU-Tulsa in this endeavor, as well as to further our mission to promote diversity, inclusion and accurate Native American representation at every level of television and film.”

For more information about the Center for Poets and Writers at OSU-Tulsa, as well as other educational opportunities at OSU-Tulsa, please visit tulsa.okstate.edu/cpw.

About Cherokee Film

The mission of Cherokee Film is to reclaim Cherokee and Native narratives by increasing representation across film and media while creating an ecosystem that supports production and drives economic activity in the Cherokee Nation.

Cherokee Film is owned by Cherokee Nation Businesses, the board-governed holding company of the largest Native American tribe in the U.S. One-hundred percent of the company’s profits support future business investments and the well-being of the tribe’s citizens through health care, education and job creation, ensuring better lives for Cherokees today and tomorrow.

For more information, please visit Cherokee.film or follow Cherokee Film on Facebook, XYouTube and Instagram.

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Michael Musante

Film & TV Finance and Development Executive

Michael is the executive in charge of film and TV finance and development at Cherokee Film. Prior to that, he was vice president of film production and acquisitions at American Zoetrope for more than seven years and a co-founder, along with Roman Coppola, of The Decentralized Pictures Foundation, a 501(c)(3) nonprofit dedicated to supporting independent filmmaking and filmmakers from underserved and underrepresented communities. He continues to serve on its board. He is an attorney, admitted to practice in New York and North Carolina, and received his Bachelor of Arts from Duke University and his law degree from the University of Michigan Law School in 2001. He practiced law for 10 years before becoming a full-time creative film producer. He has worked closely with such accomplished filmmakers as Roman Coppola, Sofia Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos and Richard Chew before and during his time at American Zoetrope. During his tenure at American Zoetrope, he oversaw the development and production of several feature films: Gia Coppola’s “Mainstream,” starring Andrew Garfield, Maya Hawke, Nat Wolff and Jason Schwartzman; “Fairyland,” starring Emilia Jones and Scoot McNairy; as well as the production of “The Outsiders” musical, which debuted on Broadway at the Bernard Jacobs Theatre on April 11, 2024.

Todd Roberts

Soundstage Manager

Todd Roberts serves Cherokee Film as soundstage manager. He has more than 35 years of experience as a photographer and filmmaker. He is multi-passionate in skills and subject matter. He’s created more than 400 episodes of documentary-style television shows (“Doomsday Preppers,” “Man vs. Food Nation,” “Safari Hunter’s Journal,” “House Hunters International” and more) produced in 22 countries and airing nationally. Todd’s commercial films have served his clients well (American Express, Audi, Freightliner Trucks, Volkswagen, United Way, Walmart and many more). Todd’s productions have received numerous accolades (Addy Awards, Communicator Awards, Flame Awards, ITVA Awards, Summit Awards, Telly Awards, as well as awards from film festivals). While his skills and interests are broad, Todd’s overarching theme is the art of storytelling.

Maggie Cunningham

Pawnee Nation

Film Commissioner

Maggie Cunningham (Pawnee Nation) is a Regional Emmy-winning producer and the Cherokee Film Commissioner. Before joining the OsiyoTV team, Maggie worked in the museum and cultural heritage field. Her previous roles included positions as an archivist and tribal NAGPRA coordinator. She also spent time as a project manager for several Native-owned consultation and media production firms. She saw firsthand the impact an Indigenous narrative can have on a community during her time researching at Te Papa Tongarewa, the National Museum of Aotearoa (New Zealand). She continued to cultivate this focus in her years of cultural heritage work and storytelling. Her experience working within Native communities here in Oklahoma has only solidified her drive to tell authentic Native-led stories with the power and impact of film. Maggie holds a bachelor’s degree from Dartmouth College in studio art and Native American studies. She earned her Master of Arts from New York University. Maggie resides in Tulsa with her family.

Hannah Roark

Cherokee Nation

Film & TV Development Specialist

Hannah Roark holds a Master of Fine Arts in screenwriting from Florida State University’s College of Motion Picture Arts and graduated with highest distinction from the University of Kansas, where she earned her bachelor’s degree with honors in English. She joined the Cherokee Film team in July 2022. Her prior film production experience includes work as an office production assistant, director’s assistant, production coordinator and associate producer. When she’s not at work, Hannah is writing screenplays, TV pilots, or collaborating in writers’ groups. She believes that every good story can be a great one.