Cherokee Nation Celebrates Opening of Cherokee Film Studios

Tribe brings innovation and new opportunities to state’s emerging film industry

OWASSO, Okla. — Cherokee Nation and its film office celebrated the opening of the Cherokee Film Studios, Owasso Campus, with a dedication and ribbon-cutting ceremony on Friday. The tribe’s state-of-the-art facility is the first of its kind in Oklahoma and Indian Country.

  Cherokee Nation leadership and executives from the tribe’s business arm, Cherokee Nation Businesses, joined state officials, local community leaders and industry professionals in commemorating the area’s foremost filmmaking destination.   “The Cherokee Nation Film Office is leading the way in helping grow and diversify Oklahoma’s film and television industry,” said Cherokee Nation Principal Chief Chuck Hoskin Jr. “Cherokee Nation and its businesses have long remained a great community partner, and we are here to stay. Our tribe continues to do our part to successfully build permanent infrastructure and encourage economic growth that creates jobs and expands opportunities for the Cherokee people, and for all of northeast Oklahoma.”   The Cherokee Film Studios, Owasso Campus, features groundbreaking technology, including an xR, or extended reality, virtual production LED volume studio crafted with industry-leading software and hardware technologies.   “The rate at which Oklahoma’s film and television industry is rapidly evolving is nothing short of astounding, and the Cherokee Nation is committed to serving our role in helping drive that growth,” said Jennifer Loren, director of Cherokee Nation Film Office and Original Content. “This facility and its incredible capabilities are just the beginning. We will remain at the forefront of our region’s filmmaking industry by building upon what we have here today. With that being said, I am proud to announce the upcoming expansion of our virtual production LED volume studio.” The tribe’s state-of-the-art LED wall will soon be increased to more than double its current size, bringing the massive screen to 80 feet long and 17 feet high with a ceiling measuring 18 feet deep. The expansion will also include fixed and mobile set lighting options and add portable LED wall panels, allowing for reverse shot capabilities. CNFO will also double the size of its motion capture volume and offer 12 additional cameras to increase the possibilities for creativity as Cherokee Film Studios enter the metaverse. “It’s an honor to witness the innovation and launch of Cherokee Film Studios, a state-of-the art, virtual soundstage and the first of its kind in Oklahoma,” said Tava Maloy Sofsky, the director of the Oklahoma Film + Music Office, a division of the Oklahoma Department of Commerce. “As the global production industry sees a surge in demand for the creation of film and television content, the Cherokee Nation’s investment in the film and television industry is a critical component of both further diversifying the state’s production landscape with new infrastructure and industry-leading technologies, as well as creating unprecedented opportunities for workforce and business development within the Nation itself.”   Cherokee Film Studios is a 27,000-square-foot facility located on more than 4 acres within the Cherokee Nation Reservation. It includes 14,000 square feet of dedicated studio space with accompanying edit suites, a control room, a pro-grade audio booth, crew and client lounges, as well as hair and makeup facilities to meet the growing needs of production in Oklahoma.

About Cherokee Film

The mission of Cherokee Film is to reclaim Cherokee and Native narratives by increasing representation across film and media while creating an ecosystem that supports production and drives economic activity in the Cherokee Nation.

Cherokee Film is owned by Cherokee Nation Businesses, the board-governed holding company of the largest Native American tribe in the U.S. One-hundred percent of the company’s profits support future business investments and the well-being of the tribe’s citizens through health care, education and job creation, ensuring better lives for Cherokees today and tomorrow.

For more information, please visit Cherokee.film or follow Cherokee Film on Facebook, XYouTube and Instagram.

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Michael Musante

Film & TV Finance and Development Executive

Michael is the executive in charge of film and TV finance and development at Cherokee Film. Prior to that, he was vice president of film production and acquisitions at American Zoetrope for more than seven years and a co-founder, along with Roman Coppola, of The Decentralized Pictures Foundation, a 501(c)(3) nonprofit dedicated to supporting independent filmmaking and filmmakers from underserved and underrepresented communities. He continues to serve on its board. He is an attorney, admitted to practice in New York and North Carolina, and received his Bachelor of Arts from Duke University and his law degree from the University of Michigan Law School in 2001. He practiced law for 10 years before becoming a full-time creative film producer. He has worked closely with such accomplished filmmakers as Roman Coppola, Sofia Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos and Richard Chew before and during his time at American Zoetrope. During his tenure at American Zoetrope, he oversaw the development and production of several feature films: Gia Coppola’s “Mainstream,” starring Andrew Garfield, Maya Hawke, Nat Wolff and Jason Schwartzman; “Fairyland,” starring Emilia Jones and Scoot McNairy; as well as the production of “The Outsiders” musical, which debuted on Broadway at the Bernard Jacobs Theatre on April 11, 2024.

Todd Roberts

Soundstage Manager

Todd Roberts serves Cherokee Film as soundstage manager. He has more than 35 years of experience as a photographer and filmmaker. He is multi-passionate in skills and subject matter. He’s created more than 400 episodes of documentary-style television shows (“Doomsday Preppers,” “Man vs. Food Nation,” “Safari Hunter’s Journal,” “House Hunters International” and more) produced in 22 countries and airing nationally. Todd’s commercial films have served his clients well (American Express, Audi, Freightliner Trucks, Volkswagen, United Way, Walmart and many more). Todd’s productions have received numerous accolades (Addy Awards, Communicator Awards, Flame Awards, ITVA Awards, Summit Awards, Telly Awards, as well as awards from film festivals). While his skills and interests are broad, Todd’s overarching theme is the art of storytelling.

Maggie Cunningham

Pawnee Nation

Film Commissioner

Maggie Cunningham (Pawnee Nation) is a Regional Emmy-winning producer and the Cherokee Film Commissioner. Before joining the OsiyoTV team, Maggie worked in the museum and cultural heritage field. Her previous roles included positions as an archivist and tribal NAGPRA coordinator. She also spent time as a project manager for several Native-owned consultation and media production firms. She saw firsthand the impact an Indigenous narrative can have on a community during her time researching at Te Papa Tongarewa, the National Museum of Aotearoa (New Zealand). She continued to cultivate this focus in her years of cultural heritage work and storytelling. Her experience working within Native communities here in Oklahoma has only solidified her drive to tell authentic Native-led stories with the power and impact of film. Maggie holds a bachelor’s degree from Dartmouth College in studio art and Native American studies. She earned her Master of Arts from New York University. Maggie resides in Tulsa with her family.

Hannah Roark

Cherokee Nation

Film & TV Development Specialist

Hannah Roark holds a Master of Fine Arts in screenwriting from Florida State University’s College of Motion Picture Arts and graduated with highest distinction from the University of Kansas, where she earned her bachelor’s degree with honors in English. She joined the Cherokee Film team in July 2022. Her prior film production experience includes work as an office production assistant, director’s assistant, production coordinator and associate producer. When she’s not at work, Hannah is writing screenplays, TV pilots, or collaborating in writers’ groups. She believes that every good story can be a great one.