Incredible Native American Talent Come Together to Develop A New Groundbreaking Television Series

That’s a wrap for four Native writers tasked with creating a groundbreaking TV series focused on Native themes and characters. It’s all part of the 2nd Annual Native American Writers Room, sponsored by the Cherokee Nation Film Office, a program which brings together four writers in an experimental writers room to address the lack of genuine Native American representation in television writers’ rooms and in overall media.

The result is “Talihina,” a one-hour drama focused on an underfunded Choctaw Hospital where conflict, mystery and murder within a small community in Oklahoma are highlighted. “Talihina” is described by the team as a gritty, period medical drama fused with small-town love that is gruesome and disturbing, yet darkly comedic.

The writers, who were selected through a competitive process, began working on the project in September of 2020. The participants worked together to develop an existing idea into a full episodic television series. They worked with expert consultants, experienced showrunners and studio creative executives for helpful feedback and learned to successfully pitch their project to big name television studios.

The project, hosted by the Barcid Foundation, has an advanced goal of giving emerging Native American writers the opportunity to work in an all Native American writers room. Cherokee Nation Citizen Tom Hanada, one of the four writers who participated in the lab describes his experience saying, “ Working with other Native writers is always a joy! Native characters in film and TV are so often reduced to tropes and stereotypes. But the Native writers I’ve worked with, through their diversity of life experiences and perspectives, are masters at crafting characters and situations that are rich, complex, and above all, real. The Native voice is one that definitely needs to be heard.”

Doane Avery (Inupiaq) also shared her positive experience working in the Native Writers Room saying, “Native representation on the screen and in the writers room has been so underrepresented throughout the history of television, that it was a supreme honor to be a part of an all-Native writers room committed to thoughtful creative storytelling with the intention of bringing authentic and powerful Native-driven content to the narrative space.”

Further development on “Talihina” will soon be underway as additional writers room days are being scheduled for January 2021 to finalize creative elements.

Congratulations to the Native writers on their accomplishment! We wish them much success in the years to come. You can learn more about the writers and their work below:

The Cherokee Nation Film Office is proud to be a sponsor of the 2nd Native American Writers Room and the work they’re doing. CNFO is devoted to increasing the presence of Native Americans in every level of the film and television industries. Supporting an all Native writers room is one of the many ways we’re helping move the needle to have #MoreNatives represented in the industry.

You can read more about the 2nd Annual Writers Room here: https://cherokeefilmcommission.com/2nd-annual-native-american-writers-room-sponsored-by-cnfo/

Do you or someone you know want to be featured for your work? Let us know at hello@cherokee.film.

About Cherokee Film

The mission of Cherokee Film is to reclaim Cherokee and Native narratives by increasing representation across film and media while creating an ecosystem that supports production and drives economic activity in the Cherokee Nation.

Cherokee Film is owned by Cherokee Nation Businesses, the board-governed holding company of the largest Native American tribe in the U.S. One-hundred percent of the company’s profits support future business investments and the well-being of the tribe’s citizens through health care, education and job creation, ensuring better lives for Cherokees today and tomorrow.

For more information, please visit Cherokee.film or follow Cherokee Film on Facebook, XYouTube and Instagram.

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Michael Musante

Film & TV Finance and Development Executive

Michael is the executive in charge of film and TV finance and development at Cherokee Film. Prior to that, he was vice president of film production and acquisitions at American Zoetrope for more than seven years and a co-founder, along with Roman Coppola, of The Decentralized Pictures Foundation, a 501(c)(3) nonprofit dedicated to supporting independent filmmaking and filmmakers from underserved and underrepresented communities. He continues to serve on its board. He is an attorney, admitted to practice in New York and North Carolina, and received his Bachelor of Arts from Duke University and his law degree from the University of Michigan Law School in 2001. He practiced law for 10 years before becoming a full-time creative film producer. He has worked closely with such accomplished filmmakers as Roman Coppola, Sofia Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos and Richard Chew before and during his time at American Zoetrope. During his tenure at American Zoetrope, he oversaw the development and production of several feature films: Gia Coppola’s “Mainstream,” starring Andrew Garfield, Maya Hawke, Nat Wolff and Jason Schwartzman; “Fairyland,” starring Emilia Jones and Scoot McNairy; as well as the production of “The Outsiders” musical, which debuted on Broadway at the Bernard Jacobs Theatre on April 11, 2024.

Todd Roberts

Soundstage Manager

Todd Roberts serves Cherokee Film as soundstage manager. He has more than 35 years of experience as a photographer and filmmaker. He is multi-passionate in skills and subject matter. He’s created more than 400 episodes of documentary-style television shows (“Doomsday Preppers,” “Man vs. Food Nation,” “Safari Hunter’s Journal,” “House Hunters International” and more) produced in 22 countries and airing nationally. Todd’s commercial films have served his clients well (American Express, Audi, Freightliner Trucks, Volkswagen, United Way, Walmart and many more). Todd’s productions have received numerous accolades (Addy Awards, Communicator Awards, Flame Awards, ITVA Awards, Summit Awards, Telly Awards, as well as awards from film festivals). While his skills and interests are broad, Todd’s overarching theme is the art of storytelling.

Maggie Cunningham

Pawnee Nation

Film Commissioner

Maggie Cunningham (Pawnee Nation) is a Regional Emmy-winning producer and the Cherokee Film Commissioner. Before joining the OsiyoTV team, Maggie worked in the museum and cultural heritage field. Her previous roles included positions as an archivist and tribal NAGPRA coordinator. She also spent time as a project manager for several Native-owned consultation and media production firms. She saw firsthand the impact an Indigenous narrative can have on a community during her time researching at Te Papa Tongarewa, the National Museum of Aotearoa (New Zealand). She continued to cultivate this focus in her years of cultural heritage work and storytelling. Her experience working within Native communities here in Oklahoma has only solidified her drive to tell authentic Native-led stories with the power and impact of film. Maggie holds a bachelor’s degree from Dartmouth College in studio art and Native American studies. She earned her Master of Arts from New York University. Maggie resides in Tulsa with her family.

Hannah Roark

Cherokee Nation

Film & TV Development Specialist

Hannah Roark holds a Master of Fine Arts in screenwriting from Florida State University’s College of Motion Picture Arts and graduated with highest distinction from the University of Kansas, where she earned her bachelor’s degree with honors in English. She joined the Cherokee Film team in July 2022. Her prior film production experience includes work as an office production assistant, director’s assistant, production coordinator and associate producer. When she’s not at work, Hannah is writing screenplays, TV pilots, or collaborating in writers’ groups. She believes that every good story can be a great one.