Cherokee Nation Film Office Shines Spotlight On Native Television

Tribal film office returns to SeriesFest for Season 9

TULSA, Okla. – The Cherokee Nation Film Office recently returned to SeriesFest, which celebrates emerging and underserved voices in television, to help highlight Indigenous creators and Native-driven stories during Season 9 of the annual festival. Jennifer Loren, senior director for Cherokee Film, moderated the “Bones of Crows” panel following the show’s U.S. premiere at SeriesFest on Saturday, May 6, in Denver, Colorado. The panel included Loren; the series’ director, writer and executive producer Marie Clements; and executive producers Trish Dolman and Christine Haebler, as well as stars Grace Dove and Carla-Rae. “Bones of Crows” revolves around Cree matriarch Aline Spears as she and her siblings struggle to survive being forced into Canada’s residential school system. The mini-series continues over 100 years following the Spears family’s generational fight against systemic starvation, racism and sexual abuse. “This series is an extraordinary example of why it is crucial that as an industry we continue to make space for Native-driven content and that we highlight Indigenous creators who are working diligently to tell significant and impactful Native stories,” said Jennifer Loren, senior director of Cherokee Film. “Unfortunately, through the removal of Native children to boarding or residential schools, Cherokee and many other Indigenous families share the intergenerational trauma such as depicted in ‘Bones of Crows.’ It is important that the rest of the world see and hopefully begin to understand the violence and loss of our languages, cultures and community connections, as well as so much other suffering that continues to harm Indigenous families through perpetual intergenerational traumas.” In its ongoing effort to address the need for more Natives on and off screen, CNFO also helped present last year’s SeriesFest Storytellers Initiative screenwriting competition, aimed specifically at finding an unproduced, 30-minute sitcom featuring a Native American character or writer, with accurate Native American portrayals void of stereotypes. Co-writers Todd Fuller and Randi LeClaire won SeriesFest’s Storytellers Initiative Season 8 for “Cross X Stitches.” The winning script follows two ragtag teams of Native baseball players as they travel across Oklahoma and the Southwest, playing weekend tournaments and causing chaos from town to town, allowing the present and past to merge as a pitching phenom grandson and his pitching phenom great-grandfather seek to provide for their families. SeriesFest, a nonprofit organization, champions and empowers artists at the forefront of episodic storytelling by providing year-round opportunities for creators and industry experts to connect, collaborate and share stories, which inspire and impact global audiences. The Cherokee Nation Film Office launched in 2019 and became the first certified Native American film commission to open in the United States. CNFO also created and maintains unique, all-inclusive talent, crew and consulting online directories featuring Native American actors, extras, voice actors, crew, cultural experts and other industry resources. In early 2022, Cherokee Nation and its businesses launched a powerful economic tool within the tribe’s reservation and expanded its effort to help grow the film and television industries in Oklahoma when Cherokee Nation Film Office became the first tribal film commission to offer an annual $1 million film incentive for productions filmed within its tribe’s boundaries.

About Cherokee Film

The mission of Cherokee Film is to reclaim Cherokee and Native narratives by increasing representation across film and media while creating an ecosystem that supports production and drives economic activity in the Cherokee Nation.

Cherokee Film is owned by Cherokee Nation Businesses, the board-governed holding company of the largest Native American tribe in the U.S. One-hundred percent of the company’s profits support future business investments and the well-being of the tribe’s citizens through health care, education and job creation, ensuring better lives for Cherokees today and tomorrow.

For more information, please visit Cherokee.film or follow Cherokee Film on Facebook, XYouTube and Instagram.

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Michael Musante

Film & TV Finance and Development Executive

Michael is the executive in charge of film and TV finance and development at Cherokee Film. Prior to that, he was vice president of film production and acquisitions at American Zoetrope for more than seven years and a co-founder, along with Roman Coppola, of The Decentralized Pictures Foundation, a 501(c)(3) nonprofit dedicated to supporting independent filmmaking and filmmakers from underserved and underrepresented communities. He continues to serve on its board. He is an attorney, admitted to practice in New York and North Carolina, and received his Bachelor of Arts from Duke University and his law degree from the University of Michigan Law School in 2001. He practiced law for 10 years before becoming a full-time creative film producer. He has worked closely with such accomplished filmmakers as Roman Coppola, Sofia Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos and Richard Chew before and during his time at American Zoetrope. During his tenure at American Zoetrope, he oversaw the development and production of several feature films: Gia Coppola’s “Mainstream,” starring Andrew Garfield, Maya Hawke, Nat Wolff and Jason Schwartzman; “Fairyland,” starring Emilia Jones and Scoot McNairy; as well as the production of “The Outsiders” musical, which debuted on Broadway at the Bernard Jacobs Theatre on April 11, 2024.

Todd Roberts

Soundstage Manager

Todd Roberts serves Cherokee Film as soundstage manager. He has more than 35 years of experience as a photographer and filmmaker. He is multi-passionate in skills and subject matter. He’s created more than 400 episodes of documentary-style television shows (“Doomsday Preppers,” “Man vs. Food Nation,” “Safari Hunter’s Journal,” “House Hunters International” and more) produced in 22 countries and airing nationally. Todd’s commercial films have served his clients well (American Express, Audi, Freightliner Trucks, Volkswagen, United Way, Walmart and many more). Todd’s productions have received numerous accolades (Addy Awards, Communicator Awards, Flame Awards, ITVA Awards, Summit Awards, Telly Awards, as well as awards from film festivals). While his skills and interests are broad, Todd’s overarching theme is the art of storytelling.

Maggie Cunningham

Pawnee Nation

Film Commissioner

Maggie Cunningham (Pawnee Nation) is a Regional Emmy-winning producer and the Cherokee Film Commissioner. Before joining the OsiyoTV team, Maggie worked in the museum and cultural heritage field. Her previous roles included positions as an archivist and tribal NAGPRA coordinator. She also spent time as a project manager for several Native-owned consultation and media production firms. She saw firsthand the impact an Indigenous narrative can have on a community during her time researching at Te Papa Tongarewa, the National Museum of Aotearoa (New Zealand). She continued to cultivate this focus in her years of cultural heritage work and storytelling. Her experience working within Native communities here in Oklahoma has only solidified her drive to tell authentic Native-led stories with the power and impact of film. Maggie holds a bachelor’s degree from Dartmouth College in studio art and Native American studies. She earned her Master of Arts from New York University. Maggie resides in Tulsa with her family.

Hannah Roark

Cherokee Nation

Film & TV Development Specialist

Hannah Roark holds a Master of Fine Arts in screenwriting from Florida State University’s College of Motion Picture Arts and graduated with highest distinction from the University of Kansas, where she earned her bachelor’s degree with honors in English. She joined the Cherokee Film team in July 2022. Her prior film production experience includes work as an office production assistant, director’s assistant, production coordinator and associate producer. When she’s not at work, Hannah is writing screenplays, TV pilots, or collaborating in writers’ groups. She believes that every good story can be a great one.